Per Oggi Basta!
The film expresses the difficulties artists come up against whenever they try out ‘paths’ that are outside the ‘system’. All this is represented through this project and, therefore, through the realisation and use of a tool (Il Commutatore, 1970) with which it is possible, in successive phases, to supersede the physicality of the city and to project oneself towards the ‘void’.
Kulcsszó:
Per Oggi Basta! 1974
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