Pag-ukit sa Paniniwala
A five-year visual ethnography of traditional yet practical orchestration of Semana Santa in a small town where religious woodcarving is the livelihood. An experiential film on neocolonial Philippines’ interpretation of Saints and Gods through many forms of rituals and iconographies, exposing wood as raw material that undergoes production processes before becoming a spiritual object of devotion. - A sculpture believed to have been imported in town during Spanish colonial conquest, locally known as Mahal na Señor Sepulcro, is celebrating its 500 years. Meanwhile, composed of non-actors, Senakulo re-enacts the sufferings and death of Jesus. As the local community yearly unites to commemorate the Passion of Christ, a laborious journey unfolds following local craftsmen in transforming blocks of wood into a larger than life Jesus crucified on a 12-ft cross.
Műfaj: Dokumentum
Öntvény:
Legénység: Hiyas Baldemor Bagabaldo (Editor), Hiyas Baldemor Bagabaldo (Cinematography), Hiyas Baldemor Bagabaldo (Director)
Kulcsszó:
Pag-ukit sa Paniniwala 2018
politics
ritual
visual arts
philippines
anthropology
religion
imagery
nonlinear timeline
colonialism
catholicism
iconography
culture
documentary filmmaking
post-colonial
observational cinema
ethnographical
neo-colonialism
nature documentary
folk art
ethnography
audio visual experience
hispanic monarchy (spanish empire)
Turumpo Productions
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